The year was 2014, I was eight years younger, and because of that, it was a very good year. Do you remember that time when it didn’t hurt to get out of bed? When camera bags didn’t feel like bags of wet cement, when your eyesight was so good you could spot a discounted Cabernet Sauvignon from one hundred paces. Ah those were the days. I shall remember them fondly.
So how did I get this shot? I am glad you asked. Firstly it wasn’t without some serious risk taking on my part. As you may know from previous lies, I mean stories, I take this landscape photography very seriously. So much so my wife has recently purchased Frankincense and Rose hip oil to help straighten out my frown lines. Remember when you didn’t have frown lines?
So really, HOW was this photograph taken?
Firstly let me set the place. It is Torndirrup National Park at a spot called the Gap not far from the southern town of Albany in Western Australia. The coastline here is battered relentlessly by the Southern Ocean. If you went south from this spot the next land mass you will hit is Antarctica. When the swell arrives it is huge and angry. To say death is a likely outcome when photographing here might be an exaggeration, but it does help set the mood and make things rather more dramatic. What you don’t see behind the camera is a sheer drop into the cold dark water. If you take that drop, you won’t be developing the negs, if you know what I mean!
The coastline, because of all this extreme weather, is rugged and photogenic. This group of rocks are larger than they look. In fact, if you fell off these you would probably die horribly. Luckily I was born with common sense, or is it just common? Anyway I didn’t think the view from the top was as nice as the view from the bottom. I was then interested in trying to balance the composition and offer interest in the foreground that would lead your eye to the rocks behind. I specifically used a vertical crop to allow more of the foreground to tell the story. This also allowed me to balance the three rocks with the central one the main point of interest.
The image was shot on my Phase One IQ280 with the 28mm Phase One lens. The shutter was 2.5 sec with an aperture of F/12 and ISO 35. The camera was secured to a tripod as the light was low and was before the sun had risen. Now you say, “those clouds look to be moving way more than the 2.5 sec exposure would imply.” You would be right in that and please let me offer up a defence. The clouds weren’t moving fast enough and as a result the sky looked a little, as an Aussie would say, “poxie”. Roughly translated it means pretty average! So being the purist I am and by asking the viewers to, “look away, nothing to see here”, I possibly, maybe, definitely added a bit of motion blur to the sky in Photoshop. I know, I know, I can see you now shaking your fists at the screen screaming “WHY, WHY”. I guess I just got lazy and must of left the ND filter back in the Lamborghini. Still it is only a little thing and the real heroes are the rocks. I have also focus stacked this image from five individual frames, all focussed at different points and combined using PT GUI.
In Capture One I messed around (carefully selected) the white balance to set the colour I wanted. I also wanted to lighten and bring out the detail in the rock. By having blues and oranges, two complimentary colours, it adds to the visual harmony and overall pleasing aesthetic. Photoshop was used to continue to refine the image and I used simple dodging and burning techniques to lighten the light areas and darken the shadows. This allowed me to make the rocks look more dimensional and increase depth and three dimensionality.
I hope you have enjoyed my completely honest and unbiased technical report on how this image came together. What I haven’t mentioned was how I love what I do and how much fun I have doing it. Life is too short, get out and enjoy the pure pleasure of making photographs. There are no rules, just pixels, do with them what you want!!!